Design and Technique of a Scholar's Garden
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The Scholar's Garden is a reflection of the Chinese view of the universe, a complete assertion of heaven and earth. on a social level, the Garden is designed with the concept of ya, or elegance, contrasted to shu or vulgar ostentation. A Scholar's
Garden is traditionally entered through a narrow passageway that
The overall harmony and novelty of a Scholar's Garden is achieved through a series of design techniques: Borrowed Views: These are among the most important elements in the design of a Scholar's Garden. Borrowed views extend space beyond the border of the garden. They can incorporate distant vistas, the sky above or nearby scenes which change by the hour and by the season. Hidden Views: Each scene in a Scholar's Garden unfolds from behind a screen or a wall or a roof. It creates suspense, ending in surprise and fulfillment as one moves further into the garden. Opposite Views: These are framed by a moon gate or floral window, and must be viewed from a fixed position. Contrast: This is the Yin-Yang concept of cosmic forces. The artistry here lies in the proper juxtaposition of varying shapes, colors, textures and spaces, such as high and low rocks, smooth,and rough stones, density and scarcity of plantings. Space: A Scholar's Garden creates an infinite space within a limited area. The infinite flows both ways, from the vast universe beyond to the infinitesimal within, with its delicate subdivisions of walls, corridors, rookeries and bridges. The overall affect is a deeply textured environment of depth and expanse. |
serves as a place of quiet meditation
before entrance into the main garden. The house courtyard is
enclosed by walls, rocks and pavilions and is the "active"
portion of the garden for changing exhibits and events. The inner
garden is also enclosed and structured around a pond. It is intended
as a place of retreat and contemplation.
